Speaking Into Being
Glasgow Project Room, July 2024
Speaking Into Being was a collaboration between Niamh Moloney and Tinja Ruusuvuori-- a walking experiment spanning two countries over four years.
Through walking and describing our surroundings over the phone, we realised that a “third space” was generated - a tangible sense of the dynamic between us, existing independently of us, almost as if it were a separate entity. We came to recognise this space as consistently present, a place that facilitates the shared act of imagining.
The exhibition includes a video work, an audio offering to the River Clyde, and a collaboratively written text “Clywwd / Clut / Clutoida / Clota / The Clyde: She Listens”.
photos: Bart Urbanski
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Installation view, Speaking Into Being (2024)
Single-channel video installation with linen, copper wire and embroidery thread. An audio offering to the river Clyde through FM radio
The exhibition was a continuation of a collaborative essay written in 2021 as a part of Flock Circumstances exhibition at 16Nicholson Street gallery: “Undoing the Workshop - the Art of A-void-dance”.
Glasgow Project Room, July 2024
Speaking Into Being was a collaboration between Niamh Moloney and Tinja Ruusuvuori-- a walking experiment spanning two countries over four years.
Through walking and describing our surroundings over the phone, we realised that a “third space” was generated - a tangible sense of the dynamic between us, existing independently of us, almost as if it were a separate entity. We came to recognise this space as consistently present, a place that facilitates the shared act of imagining.
The exhibition includes a video work, an audio offering to the River Clyde, and a collaboratively written text “Clywwd / Clut / Clutoida / Clota / The Clyde: She Listens”.
photos: Bart Urbanski
Installation view, Speaking Into Being (2024)
Single-channel video installation with linen, copper wire and embroidery thread. An audio offering to the river Clyde through FM radio
The exhibition was a continuation of a collaborative essay written in 2021 as a part of Flock Circumstances exhibition at 16Nicholson Street gallery: “Undoing the Workshop - the Art of A-void-dance”.